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  Preface  Outline Characters Europe 800 AD
  Outline Plan for Flight of Pope Joan’s Daughter 
  1. Central personal conflicts:
   
  a. Personal crisis between father and daughter – he is sent to kill her for Church to hide his forbidden love with Pope Joan and protect them from exposure of allowing woman to be the leader of the Catholic Church.
  b. Sibling rivalry - brother’s manipulative attempt to continue to control his younger brother’s choice of an adventurous secular life for his own ambition to launch a coup-de-tat for leadership.
  c. A barren surrogate mother, ex-church courtesan, feels a contradictory love and resentment for her child that she rescued and yet suffers isolation in her self-imposed banishment.
  d. Two commissioned emissaries from Rome unravel the contractory assignments that are given to them that automatically sets them in opposition to each other.
  2. Three major political struggles as background:
   
  a. Aftermath of Charlemagne’s conversion by the sword and fear by the Moslems, Jews and pagans to openly express any religious ceremony.
  b. Early political maneuvering of the Irish to avoid slaughter by Vikings in their blunder of the British Isles.
  c. Isolated underground catholic trends that offered refuge from persecution. These glimpses later form the basis of the Cathars, Erigena’s followers and the blending of dervishes dance, cabalist’s relativism and kell satirical art.
  3. Four significant scenes where story is woven:
   
  a. Library of the Vatican – initial scene shows manipulation of librarian and his hidden role in assassination of Pope Joan and his separate deals with Joan’s lover sent to hunt the daughter that was smuggled out of Rome.  He also has his brother sent for because he does not completely trust the hired assassin to fulfill the murder of his daughter.  He also has a financial motive to get a sample of Irish Oak Ink and plays on the mercenary nature of his brother to make profit out of the adventure.   The library is also the scene where the characters of the brother, the hired assassin and his daughter are confronting the librarian after they piece together the fragments of the murder mystery.
  b. Major Aran Island on the west coast of Ireland – the setting is near the old sacred Druid construction.  The two families one mixed Spanish Arab and maid of Pope Joan and the Spanish Arab family’s younger brother, wife and child who is promised to wed the daughter.  The edicts of the Church, the persecution of non-existent Druid remnants, and their new sex-laws precede the blessing of new rulers and their collection of new taxes and property.
  c. The home of John Scotus Erigena’s – a description of his great talents and his problems of church dogma against reincarnation and tolerance of pagan rituals and sheltering of married priests and care for pregnant unwed mothers.  He offers to hide Joan’s daughter.   
  d. A monastery in upper Italy – the whole story is told in a flashback of the assassin who has just helped his daughter escape trial and certain death and escape with the librarian’s brother as they make their way back to Erigena’s hideout.  A scribe, an ex soldier with Charlemagne’s son, who knows the father by reputation and has become a monk out of true love of god has the dilemma of the Church’s duty to extol a confession, hide all the embarrassing particulars and still care for the safety of those seeking sanctuary from the arm of the Church.
  4. Historical droplets sprinkled in the adventure.
   
  a. Humor – the edict on prohibiting eating of beans, against spirits, against  constant repeating of admonition of priestly acts of a variety of carnal excesses.  Peasants asking for multiple blessings of all religious trends. The Irish attempt to divert the Vikings by misdirecting their search for booty.
  b. Cruelty – the killing of unwanted babies by nuns and burying them outside the convent.  Symbiotic secret deals for land grants, taxes and weapons and inventions in return doling titles of king to local petty tyrants who used Church rule to crush rebellion.  The docile propaganda to the peasants left them unable to deal with foreign mercenary invasion.
  c. Mystery – the story of the black Madonna, the cult of Magdalene and the convivencia in Spain between all 3 faiths.   
  d. Education - Embryo of modern trends of:
  ·  Class struggle muted in satire
  ·  Nationalism rivalry within local fiefdoms
  ·  Political intrigue adaptive to pragmatic survival
  ·  Science – rediscovery of Ptolemy’s map, herbal medicine, combination of Arab paper and Irish Ink for transcribing. 
  5.Thin red thread of motive:  Monarchial rulers no matter what their calling attempt to hide their crimes even to the point of irrerevant acts of contrition after a begrudgingly urged confession to save a dwindling empire gets exposed by the disparity of their rigid policy designed to reclaim their hegemony against the irristable flow of historical changes and the maturity of a reluctantly educated population.   Sometimes the fall of the monarchy is a tragic loss as in the case of Pope Joan that represented a forward advance in civilization.  Most of the time the fall of the monarchy, even if it wraps itself in patriotism or God or both is a welcome advance if that fall is a result of a movement from the most down trodden.